Japanese exhibits at the Vienna World Exhibition 1873
Department of Japan, Imperial Japanese Government: |
Overview of the history of the catalogue material
After Japan confirmed in 1871 the invitation to participate in the World Exhibition in Vienna, preparations and the compilation of objects in Japan began in 1872. Various handwritten lists of the respective groups and regions were compiled, some of which are now kept in the archives of the Tokyo National Museum - Catalogue material of the Japanese Department for the Vienna World Exhibition, in the original Japanese language. However, this is not a coherent catalogue of the Japanese Department for the VWE 1873, and it is currently unclear whether and where such a catalogue exists.
The Japanese exhibition commission travelled to Austria with the objects from January to March 1873 (arriving in Vienna on March 24th 1873). It can be assumed that the translation of these lists from Japanese into German had already begun before the journey. Corrections to the catalogue continued to be made in Vienna during the exhibition. The catalogue was published by the Imperial Japanese Exhibition Commission, although it is unclear when it was printed. It was published in German in Vienna at the beginning of the World Exhibition under the title Catalog der kaiserlichen japanischen Ausstellung 1873. As this represents a coherent, officially published document, it forms the basis for the database.
The exhibiting countries each published their own catalogues for the World Exhibition, which presented their countries and listed their exhibits. There were no uniform specifications for these country-specific catalogues, which is why they are individually structured and contain different amounts of information. In addition to texts on regional studies and history as well as economic statistics, a "catalogue section" with exhibit lists is attached. This section follows the specified group categorisation.
Japan, for example, published the volume Notice sur l'empire du Japon et sur sa participation a l'Exposition Universelle de Vienne, 1873, Yokohama 1873, for visitors to the VWE. Printed before the departure from Japan, it describes the geography and history of the country together with a general list of the exhibits and a list of the commission members.
The general catalogue (CKJA1873) of the Japanese department differs from this, as it is purely a list of all the exhibits. The item, the manufacturer and the place of manufacture were recorded. Compared to the original lists in Japanese, however, the object descriptions (material, technique, form, decoration), dimensions, number of pieces, prices and notes are missing.
The aim of the database project ‘Japan at the Vienna World Exhibition in 1873’ was to gather all information in one place and make the data available for further use.
Notes on the structure of the catalogue
The 1873 World Exhibition had been structured by the Vienna Exhibition Administration into 26 groups and several additional exhibitions. Japan contributed to almost all groups, with the exception of the groups: G16-Army, G21-National Domestic Industry, G22-Display of the Effectiveness of Museums of Decorative Arts, and G26-Education, Instruction and Education.
G26 was divided into two exhibitions parts: Exhibition of Women's Work and the Pavilion of the Child. The Japanese commission put together a selection of objects for the Children's Pavilion. So far there is no complete list of these objects known, but a report exists. See: Ferdinand Stamm, Der Pavillon des kleinen Kindes: Report, Vienna 1873.
Japan only took part in one of the 'supplementary' exhibitions, the presentation of world trade. There is no catalogue of this exhibition either, but a report. See: Karl Thomas Richter, Der Welthandel: (Additionelle Ausstellung Nr. 6); report, Vienna 1873.
Mrs. 横溝廣子Yokomizo, Hiroko [黒川廣子 Kurokawa, Hiroko] made a copy of the handwritten lists (Kanji and Katakana) from the holdings of the Tokyo National Museum in 1993. She focussed on objects of art and decorative arts. She therefore transcribed the following groups: 6, 7, 8, 9, 10, 12, 15, 19, 20, 23, 24, 25. Transcripts for groups 1, 2, 3, 4, 5, 11, 13, 14, 17 and 18 are missing.
The database only contains the transcribed groups. Due to the missing transcripts, these do not always include an entry in Japanese in addition to the German entry. The aim is to complete these missing entries using archive material from institutions
Organisation of the World Exhibition 1873 |
Catalogue numbers |
contributed by Japan |
transcribed from the Japanese |
Group I. Mining and metallurgy |
357 |
submitted |
not transcribed |
Group II. Agriculture and forestry, wine and fruit growing and horticulture |
604 |
submitted |
not transcribed |
Group III. Chemical industry |
202 |
submitted |
not transcribed |
Group IV. Food and beverages as industrial production |
562 |
submitted |
not transcribed |
Group V. Textile and clothing industry |
1674 [1566] |
submitted |
not transcribed |
Group VI. Leather and rubber industry |
106 |
submitted |
transcribed |
Group VII. Metal industry |
748 |
submitted |
transcribed |
Group VIII. Wood industry |
618 |
submitted |
transcribed |
Group IX. Stone, clay and glassware |
384 |
submitted |
transcribed |
Group X. Haberdashery industry |
635 |
submitted |
transcribed |
Group XI. Paper industry |
394 |
submitted |
not transcribed |
Group XII. Graphic arts and commercial drawing |
15 |
submitted |
transcribed |
Group XIII. Mechanical engineering and means of transport |
4 |
submitted |
not transcribed |
Group XIV. Scientific instruments |
19 |
submitted |
not transcribed |
Group XV. Musical instruments |
38 |
submitted |
transcribed |
Group XVI. Army |
/ |
not submitted |
/ |
Group XVII. Marines |
18 |
submitted |
not transcribed |
Group XVIII. Building and civil engineering |
99 |
submitted |
not transcribed |
Group XIX. The middle-class house with interior furnishings and decorations |
71 |
submitted |
transcribed |
Group XX. The farmhouse with its furnishings and equipment. |
3 |
submitted |
transcribed |
Group XXI. National domestic industry |
/ |
not submitted |
/ |
Group XXII. Presentation of the effectiveness of museums for decorative arts |
/ |
not submitted |
/ |
Group XXIII. Ecclesiastical art |
22 |
submitted |
transcribed |
Group XXIV. Objects of art and decorative arts of earlier times |
47 |
submitted |
transcribed |
Group XXV. Contemporary visual art |
48 |
submitted |
transcribed |
Group XXVI. 1. Education, teaching and education systems |
/ |
not submitted |
/ |
Additional Exhibition on Women’s Work |
/ |
not submitted |
/ |
Additional Exhibition: The child's pavilion |
[?] |
exhibited |
/ |
Additional Exhibition: History of trade and inventions |
/ |
not submitted |
/ |
Additional Exhibition: History of prices |
/ |
not submitted |
/ |
Additional Exhibition: Waste recycling |
/ |
not submitted |
/ |
Additional Exhibition: Presentation of world trade |
[?] |
exhibited |
/ |
|
Total 6.560 |
|
|
Irregularities in the catalogue structure
As the catalogue (CKJA1873) is a document that has grown over time and has been repeatedly adapted, and was probably edited by several people, it contains various irregularities.
It has already been mentioned that not all groups were included (Groups 16, 21, 22, 26 are missing). There is no consecutive catalogue numbering. Instead, the numbering of the exhibits starts with no.1 within each new group.
The groups themselves have been further subdivided into subcategories labelled a., b., c., etc. and within these are further subdivided into coherent materials or purposes (No. X - X).
This category structure has been incorporated into the database structure and, where necessary, supplemented with structural elements. Additions are marked with [...].
However, these subcategories also have gaps or leaps. For example, in the agriculture group, subcategories d. and e. are followed by subcategory h. and then subcategory k. However, these jumps are made without interrupting the consecutive numbering. The alphabetical categories are therefore not organised consistently, resulting in missing alphabetical features.
In the consecutive numbering among one group, it can happen that individual numbers or entire rows are missing, for example in Group 5 - Textile industry. The figure jumps from number 1493 to 1601.
It is very rare that there is no entry for an object after a catalogue number. Nevertheless, there are entries in Japanese for these items.
In the group 25 - Paintings, the Japanese material (KMOJS) contains three different versions of lists. Each list contains the same pieces, but in a different order. They each provide different information on the same works.
List 1, apparently a preliminary list, gives the object name, description, number of pieces, place of origin and artist as well as the price (pp. 188-192), but in a different order than they are listed in the CKJA1873. List 2 shows the same order as in the CKJA1873 and contains the object description with format and artist (pp. 193-194). List 3 gives the number of pieces, object description, artist and provides more detailed information on material, dimensions and costs (pp. 194-197). The information from all three lists was merged into the database. The order is based on the CKJA1873 (list 2).
The so-called "Ainu exhibits" are not listed in the Catalog der kaiserlichen japanischen Ausstellung, although they were documented to have been exhibited in Vienna - they are shown in the historical photo album and in photographs of the Japanese exhibition hall - no list has been translated into German. However, the Toyko National Museum keeps historical lists of Ainu artefacts and objects from Korea that Japan exhibited in Vienna.
Tokyo National Museum, Archived catalogue materials 目録for VWE 1873
(博覽會事務局)管轄藤山種廣 ((Exhibition Secretariat) Fujiyama Tanehiro. 區外蝦夷朝鮮物品目錄 (Catalogue of objects from the Ainu and Korean territories) , n. P., n.d. 東京国立博物館マイクロフィルム資料 (Toyko National Museum archival material microfilm): 東京国立博物館 館史-083 (Tokyo National Museum, Museum History -083). Weltausstellung 1873 Wien
In order to complete the database in this field, the Ainu objects have been included in the database as an additional fictional group (Ainu group). The numbering is therefore based on the Japanese source material. The Korean objects have not yet been examined.
The Ainu objects are the most intact collection of Japanese artefacts from the Vienna World Exhibition. There are around 60 pieces in the Tokyo National Museum and a further 60 in the SMB, Ethnological Museum in Berlin. The comparison of the two Ainu collections points to the original idea of duplicates in the process of collecting objects prior to 1873.
The Japanese companies, craftsmen and prefectures that received awards at the VWE were assigned to the respective products. However, not all award winners could be assigned to specific catalogue numbers, as the non-standardised transcriptions sometimes do not allow a correct assignment.
Source material on the prize winners:
Weltausstellung 1873 Wien
Amtliches Verzeichniss der Aussteller, welcher von der internationalen Jury Ehrenpreise zuerkannt worden wurden, Weltausstellung 1873 in Wien, 2nd revised edition, Vienna 1873. Digitised
Toyko National Cultural Research Institute 1997 (KMOJS)
明治期万国博覧会美術品出品目録 / 東京囯立文化財研究所美術部編 (Meijiki bankoku hakurankai bijutsuhin shuppin mokuroku / Tōkyō Kokuritsu Bunkazai Kenkyūjo Bijutsubu hen), 東京 : 中央公論美術出版, 1997.5, pp. 198-201.
Awards / Medal category |
受賞/牌 |
Medals awarded to the Empire of Japan |
Diploma of Honour |
名 賞壯 |
5 |
Medal of Progress |
進步 賞牌 |
35 |
Medal of Merit |
有功 賞牌 |
77 |
Medal for good taste |
雅步 賞牌 |
1 |
Diploma of Recognition |
表壯 |
63 |
Medal for Art |
賞牌 |
/ |
Medal for employees |
協賛 賞牌 |
10 |
|
|
Total 191 |
Jurors 津田 仙 Tsuda Sen (1837–1908) 塩田真 Shioda Makoto (1837–1917) 平山成信Hirayama Narinobu (1854–1929) 納富介次郎 Notomi Katijiro (1844–1918) 緒方惟直 Ogata Korenao (1853–1878) 田中芳男 Tanaka Yoshio (1838–1916) Yamazaki Naotane 山崎直胤 (1852–1918) |
審査官
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7
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During the period of industrialisation, the trade interests of nations played an important role for their participation in world exhibitions. The Japanese exhibition commission therefore (often but not always) recorded the prices of goods and selling prices of their objects.
These prices were quoted in Japanese Yen and in Austro-Hungarian Gulden.
Yen: Currency of the Empire of Japan (since 1871)
1 円 / yen |
100 銭 / sen |
1 銭 / sen |
10 厘 / rin |
1 厘 / rin |
10毛 / mō |
The unit of weight 匁 / Monme is also occasionally used, whereby it is used as a currency denomination
1 匁 / Momme |
10 分/ Fun |
1 分/ Fun |
100 厘/ Rin |
1 厘/ Rin |
1000 毛 / Mō |
分 / Bun is an obsolete unit
1 分 / Bun |
4 両 / ryō |
1 分 / Bun |
10釐 / rin |
Gulden: Currency of the Austro-Hungarian Monarchy (from 1867)
1 Gulden |
100 Neukreuzer |
Yen in Gulden: |
1 Yen |
3 Gulden / Florin |
1873 – this conversion is based on the historical prices in the Japanese catalogue |
Gulden in Euro: |
1 Gulden (1873) |
14,03 Euro (2023) |
See: Currency converter |
Japanese unit of length |
1 尺 / Shaku |
10 寸 / Sun |
|
Conversion to the metric system: |
1 尺 / Shaku |
30,3 cm |
Conversions standardised as from 1891 on |
Conversion to the Anglo-American system of measurement: |
1 尺 / Shaku |
11,93 in |
Conversions standardised as from 1891 on |
In some cases, the place of origin refers to historical provinces or prefectures whose administrative areas were later reorganised. The current 47 prefectures were merged in the 1890s. The georeferencing for the map in the database is based on the current terms.